Here's a nice video of John Cale performing Venus in Furs - it's a TV broadcast from 10th January this year. h/t Here Comes The Flood

It seems that December has proceeded pretty much as the whole of the 2013 season has done: appallingly.My training has gone pretty well in fits and starts through the month, and monitoring the Critical Power estimates (obtained by the budget Polar power meter fitted to the turbo bike and analysed by Golden Cheetah) has indicated my training has not been completely ineffective!As I write, I've woken early yet again at the behest of my persistent chesty cough, which is showing no signs of shifting after about 5 days. So my last training was on 22nd December, a day before I left for a brief Christmas break. That turbo session went pretty well, and I was somewhat encouraged. Unfortunately, I've been so ill that it's looking unlikely that I will be able to ride the New Years Day '10'. I have decided to adhere to Team Grumpy's Rule #5:

Team Grumpy Rules

Over the years, Grumpy Bob and 'Grumpy' Art have developed a set of rules.  These are of course intended to be implemented at all times, however exactly.  Originally posted at the Team Grumpy blog.Rule #1. Remember to make your excuses before the race, not after. Otherwise it will just sound pathetic.Rule #2. Don't tinker with your bike the evening before the event. It will break, either then or, worse still, during the event.Rule #3. If all else fails, buy some new bike kit.Rule #4. And if rule #3 fails, new skinsuits are probably a good option.Rule #5. Never train or race with a bad cough - it will destroy your entire season.Rule #6. Tantrums are appropriate if provoked (e.g. by mechanical problems), but try to avoid damage to equipment.Rule #7. Team Grumpy riders are allowed to use whatever equipment they wish (and their wallets permit). However, the official team energy drink is always pop belge.

Well, this album was really a little out of the ordinary for me. The only other record I have featuring Scott Walker is a Walker Brothers collection of some of their 60s output.I bought this as a flac download  several weeks ago, on its release date, and I've been listening since. I don't actually buy into this godlike genius thing - I think a genius might release more records - but after a few plays of samples via the web, I decided to buy it. And I'm not disappointed, though on the other hand I'm not overwhelmed. The record has an interesting juxtaposition of Walker's voice with a odd array of sounds and aural textures, which on the whole I really like. My reservations are more that I haven't really got to the bottom of the lyrics, and with an album like this, it's difficult to really form an opinion too quickly. Many of the songs seem to be making quirky connections between widely disparate people and events. It's safe to say this one's going to take a bit of concentration.

This is a Rouleur publication (under the Bloomsbury imprint), and in common with that magazine, it's chock full of photographs, printed on high quality paper. In his introduction, Sykes admits he'd always promised that he wouldn't write a biography of Fausto Coppi (there are quite afe of those around). What this book represents is a collection of photographs from Coppi's career, punctuated with interviews with some of Coppi's contemporaries. Sykes' intention is to preserve the memories of these veterans.In this, the books succeeds admirably. It's not a book that provides a detailed biography of Coppi - you have to look elsewhere for that - but for all that it's delightful to read and to savour the often superb photography, with some of the often painful eyewitness testimony.The design of the book is lovely, with excellent reproductions of the photos on heavy paper. Unfortunately the photos are not captioned, so relating them to thw interviews is not always easy. As a nice touch, the text pages are tinted in what appears to a pale Bianchi celeste.Coppi: Inside the legend of the Campionissimo, by Herbie SykesPublished by Rouleur via Bloomsbury Sport £27-ishISBN 1408181665

From Stars to Stalagmites - How everything connectsWorld Scientific 2012 ISBN 13 978 981 4324 97 7Paul S. Braterman*I am a pretty avid reader of popular science books, but generally speaking I've mostly read books with a general emphasis on biology, particularly evolutionary biology. From Stars to Stalagmites is therefore a bit different from my usual reading fare, taking a chemist's view on the world. In essence, the book spends 16 chapters explaining how we know stuff. Stuff ranging from the age of the Earth to how CFCs were incriminated as the cause of the ozone holes. Many of these accounts are told with specific reference to the people who shaped the theories and the science. I don't mean just the scientists - policy-makers and politicians also feature highly - a good example being the chapters on figuring out the cause of the ozone hole and on global warming.I could summarise this book as "a collection of stories about stuff", but that would ignore the central theme that comes across as one read through the book: how we know how natural processes work, and how we can use this understanding to probe the deep history of our planet, figure out how to rescue our planet from anthropogenic destruction and so forth.On reflection some, if not all, of the chapters come across as excellent material for presentations. Whether such has been the origins of the work or not, I do believe that the book itself would have benefited from a bit more in the way of illustration...For me, stand out chapters include the opening chapter on the age of the Earth (Chapter 1), that on Fritz Haber, the First World War and explosives (Chapter 6), and the 14th Chapter on why water is weird. But I guess those preferences reflect my interests; the book is consistently interesting and clearly written.In dealing with the evolution of ideas about the Earth's antiquity, Braterman effectively sets the stage for all the controversies manufactured by the biblical literalists who insist in (mis)interpreting the bible to deduce that the Earth is a mere 6000 years (give or take a little). The chapter takes the reader on a journey in the changing scientific understanding of earth science, which neatly encapsulates the nature of scientific discovery. I think this example illustrates the value of this book. It's not necessarily in its factual content, but in the way rational and thoughtful investigation of the world and its material phenomena can lead to clearer understanding of the world around us. And more than this, several chapters describe how current understanding can and does change as science advances, both in terms of techniques and in the application of knowledge from disparate areas of investigation.To conclude, From Stars to Stalagmites is a valued addition to my bookshelf and a fine example of popular science writing.*Disclosure: Paul Braterman is a BCSE committee member, as am I.[cross-posted from Wonderful Life]

Amazingly, the after-effects* of September's crash has lasted through most of this month (despite managing the Duo Normand about three weeks after the crash). This, together with a brief bout of illness and a trip to Scotland has continued the general derailment of my training.On the bright side, analysis of the metrics collected via my turbo trainer and using the rather excellent Golden Cheetah does seem to indicate some pick-up in form. Hopefully I'll get the ball rolling through December and beyond, with the New Year '10' as an intermediate test of fitness. In all likelihood, the first real race of 2013 will be the Port Talbot Wheelers 2-up '25', which is usually in early March.In the meantime, I've got a clear idea of what training I need to do, which is not to say I have actually been doing it. We have had a couple of decent tandem rides on days when the elements have not been so set against outdoors activity, but apart from that, road riding has largely been confined to commuting to work (by tandem).It's about this time of year that we start thinking about next year's cycling holiday. We have a few ideas for 2013, most of which revolve around either renting a house for the holiday (rather than touring), or visiting Wales as a change from Scotland. Maybe we'll decide before Hogmanay. The timing is a bit more complicated this year due to academic calendar changes at work.* These effects have been rather odd: for two weeks I was mainly in graze healing mode: after this, the pain started! Firstly, a painful shoulder, replaced after the Duo with lower back pain. Since I cleared that away, I've had pain in hip joints, another bout of back pain, twitching leg muscles, calf pain and numbness in the foot. All of this affecting my right side, upon which I made abrupt and painful contact with the tarmac at 26mph. On the bright side, no bones have actually been broken. Indeed I must be heavy boned, as in all the scrapes, crashes and car-collisions I've suffered in my cycling career I have never broken a bone. Touch wood.

Apparently recording a cover album of Nico's classic 1970 album Desertshore was something of an obsession of Peter Christopherson (Throbbing Gristle, Coil, X-TG). Sadly this project was incomplete at the time he died. It was however resurrected by his X-TG colleagues Cosey Fanni Tutti and Chris Carter.The result has been an interesting artefact: a two CD release housed in an elegant and understated sleeve, along with a 12 page booklet and a postcard. The first CD consists of the covers of the Desertshore tracks, mostly featuring guest vocalists, including Antony Hegarty, Marc Almond, Blixa Bargeld, as well as Cosey Fanni Tutti. Before listening to this, I was somewhat worried that it might be something of a mismatch of styles: in fact, the individual tracks seem to gel really rather well, and I've found myself listening to the original Nico versions in parallel - enjoying both equally. The second CD is entitled The Final Report. As I understand it, X-TG is (or rather was) the three remaining members of Throbbing Gristle after Genesis P-Orridge left, and this is them signing off after the death of Christpherson. Personally, I find this an appealling set of tracks, but somewhat less marked that those of Desertshore with their characteristic guest vocals.Highly recommended - particularly for the TG and Coil aficionados. I bought my copy from Cargo rather than Amazon, due to the tax evasion situation.

This amended road sign in Scotland has always amused me.[caption id="attachment_2055" align="alignleft" width="300" caption="Beware of the elephants!"][/caption]

Along with the website update, I finally got around to sorting out the report of our 2012 Summer Tour (click the Cycling menu item above and select 2012).  I suppose this was almost a Spring tour, as we had to set off quite early due to work commitments. On the other hand, I think this was 9 days of rain-free cycling, and possibly our first tour in which we had no rain. Despite the dates we cycled, we did encounter some midgies - but they weren't really much of an issue.During the nine days, starting and finishing in Oban, we visited Barra, Eriskay, South Uist, Benbecula, North Uist, Harris, Lewis, Skye and Mull. We made nine ferry crossings! Almost every B&B had free WiFi, making this our most connected tour - we took along an iPad to plan routes using Google Maps, to check weather forecasts and on one occasion find out about a road closure. The road closure was suspended because of the Queen's Silver Jubilee.

I bought my first copy of The Velvet Underground & Nico way back in the 1970s, when it was a relatively young thing of around a decade in age. Sadly, though it had the benefits of a gatefold sleeve, it lacked the peelable banana. Since then of course, the already considerable mystique of the Velvet Underground has grown and grown. During the transition from vinyl to CD, I did step up to the 5 CD Peel Slowly and See set, featuring the four 'real' Velvet Underground albums plus a variety of out-takes and demos (most notably the CD of the Ludlow Street demos).[caption id="attachment_2042" align="aligncenter" width="265" caption="The 6 CDs are housed in a large format hardback book"][/caption]So, having not fallen for the 2 CD Deluxe Edition released in 2002, you might think I'd not be that interested in this latest outing for this venerable and influential album. Well, of course I was interested! What were the attractions for me? Mostly the mono version of the album; the Sceptre Studios demos and Factory rehearsal tapes; and of course 2 CDs of the live show recorded in 1966 at the Valleydale Ballroom.CD1 - The album in stereo mix, followed by five alternate takes. Frankly not much needs to be said about this, it's one of the finest albums in my collection. In general, I'd note that the best choice was made on which song versions made the final selection for the album.CD2 - The album in mono mix (this is apparently considered to be the version closest to the sound the band were aiming at), followed by both sides of each of the two singles.CD 3 - Nico's first solo album Chelsea Girl. A bit of an odd choice for inclusion, despite featuring most of the VU on most of the tracks. But, hey, I didn't have this already and despite Nico's unhappiness with the final product, I quite like it - though I prefer other Nico albums.CD 4 - Possibly the main selling point of the set, this CD has the Sceptre Studios sessions, some from tape, some from the Norman Dolph acetate (which famously turned up in a New York flea market). Also on CD 4 are recordings from rehearsals at the Factory. All pretty much of interest in the evolution of the album.CD 5 and 6 comprise the whole of the only 'proper' recording of the Velvet Underground and Nico live. This was at the Valleydale Ballroom, Columbus, Ohio (which still seems to exist 45 years on!). At least parts of this set have circulated in bootleg form over the years. I have rather murky sounding CD of this set (with the two long free-from tracks omitted) entitled Down For You Is Up. I always said that the boot is quite good if you know what the song is before you listen to it! The recordings on these two CDs are definitely not high fidelity, but are definitely better than on the bootleg version.The six CDs are housed in slots in cardboard pages bound at the rear of the lavishly presented hardback book.This is packaging. Fine packaging. Very fine packaging. While I'd seen many of the photos before, many are new to me. The text is not what you'd call lengthy, but it really does set the music and lyrics in the set in their appropriate context.So basically, this is one of the truly great and influential albums from the 1960s. But I guess an expansive (and expensive) set such as this really is for the completist. I cannot believe that someone who doesn't already have a copy of VU&N would even consider this a reasonable purchase!